Tall Portuguese-s femPainting ID:: 36719
Artist: Delaunay, Robert Painting: Tall Portuguese-s fem Introduction: mk113
1916
180x205cm
Please Select Standard Painting Size
high quality:16x20 (40x51cm)
= $65
high quality:20x24 (51x61cm)
= $85
high quality:24x36 (61x91cm)
= $129
high quality:30x40 (76x102cm)
= $139
high quality:36x48 (91x122cm)
= $209
high quality:48x72 (122x182cm)
= $389
museum quality:16x20
(40x51cm) = $69
museum quality:20x24
(51x61cm) = $89
museum quality:24x36
(61x91cm) = $139
museum quality:30x40
(76x102cm) = $149
museum quality:36x48
(91x122cm) = $219
museum quality:48x72(122x182cm)=$399
PortraitPainting ID:: 36721
Artist: Delaunay, Robert Painting: Portrait Introduction: mk113
1922
195x130cm
Please Select Standard Painting Size
high quality:16x20 (40x51cm)
= $65
high quality:20x24 (51x61cm)
= $85
high quality:24x36 (61x91cm)
= $129
high quality:30x40 (76x102cm)
= $139
high quality:36x48 (91x122cm)
= $209
high quality:48x72 (122x182cm)
= $389
museum quality:16x20
(40x51cm) = $69
museum quality:20x24
(51x61cm) = $89
museum quality:24x36
(61x91cm) = $139
museum quality:30x40
(76x102cm) = $149
museum quality:36x48
(91x122cm) = $219
museum quality:48x72(122x182cm)=$399
Study of Mrs Ham-s PaintingPainting ID:: 36722
Artist: Delaunay, Robert Painting: Study of Mrs Ham-s Painting Introduction: mk113
1925
Oil on canvas
130x97cm
Please Select Standard Painting Size
high quality:16x20 (40x51cm)
= $65
high quality:20x24 (51x61cm)
= $85
high quality:24x36 (61x91cm)
= $129
high quality:30x40 (76x102cm)
= $139
high quality:36x48 (91x122cm)
= $209
high quality:48x72 (122x182cm)
= $389
museum quality:16x20
(40x51cm) = $69
museum quality:20x24
(51x61cm) = $89
museum quality:24x36
(61x91cm) = $139
museum quality:30x40
(76x102cm) = $149
museum quality:36x48
(91x122cm) = $219
museum quality:48x72(122x182cm)=$399
PortraitPainting ID:: 36723
Artist: Delaunay, Robert Painting: Portrait Introduction: mk113
1923
105.3x75cm
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Check All Delaunay, Robert's Paintings Here!
French Cubist Painter, 1885-1941
French painter, printmaker and writer. Taking Cubism as one of his points of departure, he first developed a vocabulary of colour planes only distantly dependent on observed motifs, and by the 1930s he had arrived at a purely self-sufficient language of geometric forms. He remained active as a theoretician until the end of his life,
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